Pieces de Clavecin – Ornament table D’Anglebert

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Schermafbeelding 2021-05-23 om 22.02.18
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Pieces de Clavecin – Ornament table D’Anglebert

A modern version of the table is here:
https://ks.imslp.info/files/imglnks/usimg/1/1f/IMSLP185532-WIMA.09e0-TableOfOrnaments.pdf

D'Anglebert does not give any written explanation, but he does give more different symbols and ornaments than any other author.

A few remarks on what struck me:
-there is a difference between a tremblement and a cadence, in some treatises these are used interchangeably
-the Double cadence starts differently, depending on whether a trill follows! (line 1, examples 5 vs. 7)
-there is a tièrce coulé going up (line 2, example 7)
-there is a slide option over a fourth (line 2, example 10)
-a 'detaché' or little rest / articulation before a trill or mordent is also an 'ornament' (line 3, final examples)

At the end of the Pieces there is a little 'school for accompanying', or in other words how to play basso continuo. It is transcribed here with modern clefs by Tom O Drisceoil.

Features

Ornaments
Appoggiatura (port de voix), Arpeggio, Chûte, Coulé, Mordent (battement), Slide (port de voix double), Trill, Turn, Vibrato and Flattement
Improvisation topics
Ornamentation
Solo / Ensemble
Solo
Author
Henry D'Anglebert
Language (Translation?)
French
Country
France
Type of Thing you Learn
Ornamentation
Instrument
Harpsichord / Keyboard
Level
(More) Advanced
Year
1689
Medium
App
Style
Baroque

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