17 – Performance practice in the music of Mozart from The Cambridge Companion to Mozart

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Schermafbeelding 2020-10-10 om 12.14.18
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17 – Performance practice in the music of Mozart from The Cambridge Companion to Mozart

Levin devotes a few pages to ornamentation, Cadenzas, Lead-ins and Fermatas. There is a clear description of which ornaments were conventional and how they were notated.

And an example of Ployer's embellishment of a piano concerto. Barbara Ployer was one of Mozart's pupils.

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